Who are you and what do you do here?

Hi, I’m Stacy Jones Hill! As you can see up there in the subject line, I’m the Communications Director for the Fringe. In a way, this means I get to be a part of almost everything that goes on here, which I like just fine!

When did you get involved with Hollywood Fringe?

I’ve been around since this festival was just a spark of an idea and I’m so proud of what it has become. I started off as the Publicity Manager in 2010, writing press releases and trying to spread the word about a festival that was untried and untested. Seeing the festival take off that first year was a dream come true and though it is a lot of hard work from year to year, it continues to be an extremely rewarding experience.

How has your position changed over the years?

Since that first year, I’ve taken on more responsibilities: a lot of writing, a lot of organizing and even more collaborating with our awesome Fringe staff. One of my favorite new roles involves my job as head of FringeTV, which we started last year as a way to capture and cover all the different facets of the festival. It has been a great learning experience and a ton of fun.

What keeps you coming back to work on the Fringe?

Watching new relationships and partnerships develop because of the festival has been and continues to be really inspiring for me. Seeing a deserving playwright get published, a young director get recognized for great talent, an actor secure a manager for the first time or a new theatre company launch with a bang is worth the year-long, tireless effort to continue to put up the Hollywood Fringe. Maybe that sounds cheesy, but I live for that stuff.

That alone would be enough to keep me coming back, but even my own personal and artistic life continues to flourish because of the people I have met here. Some of my most treasured friends and artistic co-conspirators started out as acquaintances I only knew through Fringe.

Would you rather fight a horse-sized duck or one hundred duck-sized horses?

I wouldn’t want to fight a horse-sized anything, let alone something horse-sized that could also fly. I’d take my chances with the duck-sized horses. I used to play soccer; I’m not afraid of getting my shins bruised.

I’m Jeff Worden, the Front of House Manager of the Hollywood Fringe Festival!

What does the Front of House Manager do?

I do my best to ensure you’re having a great time at Fringe Central Station. Whether that be enjoying a cold beer or a cocktail by the bar or laughing at your friend’s rendition of The Police’s “Roxanne,” I want to make sure the night is smooth and the smiles are plenty. That’s why they pay me the big bucks.

What’s a day like at Fringe Central Station?

Usually, it’s a lot of verbs: cleaning, counting, pulling, shifting, sorting, pushing, answering, standing, sitting, laughing, writing, watching, listening and sometimes punching – – the clock! Oh, and loving. And meme-ing.

How did you get started with the Fringe?

I like to think it was kindled back in college, when I went to school with a bunch of crazy dreamers who wanted to somehow – despite their better judgments – make theatre. The truth of the matter probably resembles something more like the little sucker fish that hook onto the bottom of a shark; the Fringe does most of the heavy biting into the Hollywood art world and I get to nibble at the fleshy bits leftover.

That’s graphic.

Yes, but I like graphics. Not graphs, so much, because they’re boring.

Greetings, Fringe Community!

When we began planning the Fringe in the Summer of 2007, there were moments when our lofty visions for the festival seemed mere figments of our imaginations. How could we possibly align the human and material resources to actually produce on these visions? I think many of us have been there before; when an idea is so new and delicate, its prospects seem impossible or at least implausible. Goodness knows, many of us have nurtured these ideas only to see them discarded the next morning over coffee.

Something about this particular idea stuck. Its force grew and through the sweat, minds and hearts of so many others, its being took shape. And here we are 6 years later, 3 festivals down and one epic June set to begin.

Including our upcoming festival, the Fringe has presented a total of 846 shows, over 3500 performances and 357 world premieres. In just three years, we have become the largest performing arts festival West of the Mississippi. No small accomplishment as the road to the present has been far from easy.

We give 100% of box office receipts back to the artists who participate in the festival. We regularly use 100% of the registration funds raised through the Fringe on promoting the festival. Our staff regularly donates the majority of their time to make this happen. And there’s so much more to accomplish.

Here’s where you fine people help. We are attempting to raise a very modest $15,000 by June 12 so we can pay our many bills once the festival closes on June 30. If we raise more than that? Fantastic, it will be poured directly into the 2014 festival.

What bills you say? To name but a few: Ad buys, printing, distribution, staff, rents, utilities, insurance, entertainment, website costs, permits, rentals, merchandise. The list goes on and on; it is not inexpensive to run a festival of this magnitude.

If the Fringe is something you truly value, if you feel this is an event needed in the world of theatre, then I ask you: Please help us today. We very much need it.

We have big ideas for the future: enhanced programs for students and families, new modes of intra-fringe transportation, pole signs along LA streets, a broader international outreach program, new perks for participants and novel ways to celebrate the wonder of theatre.

This Fringe has shaped our lives and filled us with purpose and so we give much of our lives to it every day of the year. Please join us, it feels really good.

Fringe On!

Ben Hill, Festival Director
Hollywood Fringe Festival 2013
www.HollywoodFringe.org

Who are you and what do you do?

Hello, I am Ben your friendly cruise director for HFF13. I started planning the Fringe with my friends in 2007 right after we moved to LA. After unpacking our shirts, we realized that LA didn’t have a Fringe. Then we reserved a domain name. The rest is history.

As Festival Director and Board Chair, my job is to make sure the HFF happens every year. I work on promotion, development, production, participant support, ticketing, special events, partner relationships and strategic planning. It’s a 365-days-a-year, 17-hour-a-day job.

I also spend a lot of time developing the Fringe website and mobile apps. Both of those projects have been active since 2007. I write the code, develop the spec and sing the songs.

What inspired you to start a Fringe here?

The place itself inspires Fringey thought patterns. As we aren’t shackled by a dominating commercial theatre scene, we have a lot of opportunity to define LA as a hotbed for emerging theatre. It really helps that this also happens to be the truth.

I’ve also seen firsthand the effect of Fringes in other cities. Edinburgh (the grandmother of all Fringes) is an inspiring creation; one of the wonders of the world. If you love HFF and want more, buy your plane tickets to Scotland today. Every fringe lover needs to take that pilgrimage.

Why a Fringe in LA? Isn’t LA a 365 day Fringe?

Good question. Fringe Festivals serve a specific purpose. They act as an incubator for new talent, an event with international recognition and a banner celebration for the theatre community. Of course there’s fringe-like action occurring all year round; that’s one of the many aspects that makes LA such a dynamic artistic city. For these few weeks, that dynamism has a time, a place and a big spotlight. That makes it special.

Any suggestions for first time Fringers?

Take risks. This goes for both your on-stage creativity and your personal scheduling. Don’t just see shows that seem to fit your normal patron profile, push yourself. Leave that safety zone behind. One of the big benefits of HFF is that shows are generally short and mostly inexpensive allowing you to enjoy a high volume and disparate assortment of works.

Build community. Most involved in the Fringe are looking to expand their horizons: To see shows, make friends and influence people. See someone else with a Fringe Button? Talk to them, ask them what they’ve seen, make a friend. New friends turn into great future partners if the spark is right.

Don’t be a jerk. We laugh about that line but it’s serious. This isn’t the place to be self-involved, petty, dismissive or rude. Those types tend to sit alone in the corner. The fringe is a place to be generous, kind, helpful and filled with mirth. Embrace those moments of fringe miracles and pay it forward, you’ll be happy you did.

Would you rather fight a hundred duck-sized horses or a horse-sized duck?

I am thinking I could take a horse if it came down to him or me; and a duck is a pretty goofy and lovable bird. I think I could talk my way out of it. I have no interest in fighting a hundred anything.

fringers gear up for the last town hall of the season

Thanks to everyone who attended the final Fringe Town Hall last night! We had a full house at the Open Fist Theater, home of the 2013 Fringe Mainstage and Box Office.

For those of you who missed it, we recorded the proceedings.

Enjoy!

Still have questions? Email us at [email protected].