“Guilt” was an incredibly well acted and enthralling show to see. It’s two short plays and they go by in a breezy tense full hour. I highly recommend going to see this... especially if you like sexy church stuff and armadillo hunting. ...
full review
Amazing show that’ll keep you at the edge of your seat. Wonderful sound design helps highlight two fast paced One Act plays that ultimately explore what you believe in and what makes reality. ...
full review
Two fully realized short plays. In the first, a young man (probably a seminarian) has come to his middle-aged superior and spiritual adviser to seek her signature on an application to move to another divinity school. We quickly learn that he has waking wet dreams of sex with some kind of spirit and she talks directly to God. Fine acting, a mix of sex and sanctity, percussive sound effects and a riveting ending, this play is not for the squeamish. In the second play, which takes place at night, a wildly bewildered farmer brandishing a rifle is haunted by a phantom armadillo. He is rescued, sort of, from his peculiar madness by his son. ...
full review
this show is dripping with the male gaze. it's a testosterone heavy pseudo-intellectual dive into 'guilt' that doesn't seem to know how to get to the point it's trying to make - or is it? the only female character in the show is a predator and while that might seem 'subversive', it does nothing but perpetuate this idea that women can't be powerful unto themselves unless they are dangerous. ...
full review