A beautiful choice in the wake of all the positive #CHANGES in storytelling in our artistic and public forums. Women are doing amazing things in the world, and always have been! Victoria Woodhull is a spectacular example of this, and her story deserves to be told, and audiences were treated to a personalized journey set within a context of one of Victoria's many skills! (Don't want to give a spoiler!) Kudos to the playwright for such a magnificent choice, and Ashley..well she looked just like the real picture! I was totally drawn in....
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The story of Victoria Woodhull is a great historian piece. The solo show definitely connected present day issues to the past of 1872. Us as an audience were able to learn a lot and experience going back through time through this young lady's eyes. ...
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This play has potential, but it needs work, particularly of the structure. I was drawn to the play because I wanted to learn more about Victoria Woodhull, but I learned very little....
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The Terrible Legend of Victoria Woodhull is a captivating one woman show that was excellently written and directed. It was an inspiring piece of theater that reminds women of how far we have come in our struggle for women's rights and how far we still have to go. It was amazing how there were still so many parallels in the 1800's to today's political climate. Ashley moved effortlessly from character to character as she carried us on a journey of a woman who was rather unknown. Ashley's outstanding abilities as an actress combined with Theo's magnificent ability to craft stories in this manner is duo that I want to see again and again!!!...
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There's a wealth of material in the self-made life of Victoria Woodhull and maybe more than one play---but this 40-minute fragment isn't it. It raises more questions than it resolves and skips completely her "Second Act"---in England, with her 3rd husband. (She died there at 88!) When that play is written, ASHLEY FORD will still be the girl for the job! She fields everything that's thrown her way, from a silly "prologue" as a modern actress "channeling" Victoria (which wastes 5 of the 40 minutes) to Victoria herself "channeling" both her younger sister and her nemesis, Susan B Anthony, too much.
The theatre space itself is unusually uninviting, a long tunnel which could have been configured more intimately that does a lot to alienate t...
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