ERNEST KEARNEYthe tvolutioncertified reviewerJune 11, 2016
Henry Mayhew, in 1841, named his pioneering humor magazine after the gleeful little murdering bastard. Neil Gaiman turned to sought him out to use in one of his best graphic novels. Him and the Missus are clues in the 2014 thriller Gone Girl, and in the Marx Brothers’ 1931 Monkey Business Harpo joins them in a performance. There’s even an opera by Harrison Birtwistle.
But I gotta say, for fun and merry murdering mayhem, none of them can hold a candle to Christopher Johnson’s live action adaptation of the classic Punch and Judy.
For the unacquainted Punch is a happy go lucky, fustigating psychopath, a cross between Bugs Bunny and Ted Bundy.
His origins are debated, but probably evolved from 16th century Italian commedia dell’arte, be...
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This live adaptation of Punch and Judy is absolutely hilarious! Not a moment goes by when you're not laughing. The actors show their excellent abilities and theatrical prowess in their perfectly cast roles. Director Christopher Johnson did an incredible job adapting this puppet show into a live action play. Incorporating creative elements such as a live, one-man foley, and a partition emulating a puppet stage was genius! The fight choreography by Jen Alberts was superb, and added to the comedic brilliance of this production. Do not miss this brash, gruesome, and uproarious gem!...
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I remember "Punch and Judy" being my very first theatrical experience many, many years ago. Whatever vague, twisted memories I may have had came rushing back solid with this brilliant, satirical production....
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