Ben Moroski wrote a very smart play which uses a very very smart device that I don't want to give away. He also fleshed out two extremely complex characters that one might view as "every-men", but it goes to show how unique each person's journey is. Michael Shaw Fisher's physical and vocal work are transformative and very impressive. And their chemistry is rich. I highly recommend this play. ...
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This moody & atmospheric two-hander is fascinating. Two near-strangers wind up masterminding an outlandish blackmail scheme in the span of about 48-hours. But, in the aftermath, they have to learn to trust each other and decide what is the value of a human life....
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Powerful and basically flawless. Incredible acting. Still thinking about it days later, and it's a hard act for any other Fringe show to follow....
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These guys win awards for a reason. They challenge themselves creatively every year and teach us how to be a bit more fearless on stage and on the page. So thank you. The all a ya! ...
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Pretty damn slick. From its speed endused ping pong dialogue, to its slow meditated moments of insane stillness, tilt f'ing brings it. You better be ready for the assault of conflict and difficult decisions, because jezzzzum crow, do these dudes not stop. Both actors are game. They both are there. They both feel like they are those parts. Fisher, with his zen like madness and crazy hand motions, turns in one hell of a performance. Same can be said for Moroski, also the writer. My only issue with the book is it sorta peaks to me in the middle and simmers down quite a bit. But other then that this thing is a bullet. Massouh adds some interesting choices with perspective and all the moments flow somewhat smoothly, which is tough win such a fran...
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