IMPORTANT NOTE: We cannot certify this reviewer attended a performances of this show because no ticket was purchased through this website or the producer has not verified they attended.
My overall impression
It’s those quiet moments you have to yourself that can, surprisingly, put you on the spot and make you the center of attention. A single peep, body gesture or even a thought can change the energy of people surrounding you. This is a powerful theme that emerges from all of the seven anonymous strangers in Michael Leoni’s “Elevator,” currently playing at the Hudson Guild Theatre.
Trapped in between space and time, a septet of men and women find their Friday plans are spoiled when the office building elevator they enter shuts down mid-transport. A female CEO (Deborah Vancelette), female temp (Erica Katzin), businessman (Alex Rogers), young musician (Mikie Beatty), Janitor (William Stanford Davis), Hot girl (Karlee Rigby) and Goth girl (Rachael Page) all wait feverishly as the problem is fixed. But the true technical difficulties are within the steel of the elevator. Human insecurities, prejudices and friction run amok.
Michael Leoni’s direction of his actors has a classical stroke. But what I especially liked was how he added an element of style with Hip Hop influenced sound design and clever, repetitive leifmotifs that are sure to pull some delight from the audience. Leoni and his cast have full control over the audience.
Within the searches on the web, I notice Elevator is categorized as a comedy. Perhaps a comedy of errors because there are measures of truth among the characters. Speaking of truth… truth be told, Elevator will effortlessly make you feel like you’re trapped inside, battling these demons alongside them. Get ready for the ride because this is a beautifully acted and expertly directed play.