Ensemble

An original comedic musical in a world where everyone has super powers!

HAPPY HOUR is an immersive sketch comedy in 60 minutes or less from writer/director Nina Childs. A wild sketch show that takes the audience on a roller coaster ride of hilarious ensemble sketches!

Bea and Valerie are BFFs who are total opposites. Valerie is bold and sex positive while Bea is awkward and neurotic. Their world gets turned upside-down when they meet a handsome, well-endowed stranger. Can these Asian women save their friendship while wrestling with questions of identity and race?

Skip, Beatrix, and Byron gotta find someone to sublet and they gotta find it fast. When an unsuspected guest shows up, their hopes and dreams for the perfect roommate goes mysteriously awry.

It's Meet The Parents with a naked twist! Skye is about to introduce her conservative boyfriend to her family, but she's never told him that she and her family are nudists! Will their relationship survive? In this immersive theatre experience, the audience is required to be in their birthday suits.

The Circle Table explores several vignettes threading characters and relationships via FaceTime/phone calls and asks: How does digital communication hamper or enhance analog components of life like love, family, depression, self-exploration and fulfillment?

We all go to the woods for our own reasons. Imogen wants Frederick’s love. He wants to see a rare bird. Toby wants to find herself. Ranger Dave wants to help. Bear needs everyone to please remain calm. Nine crowded campers will take you to the campfire to ponder loneliness, gender, and great snacks.

from the team behind the 2017 Hollywood Fringe International Award Winner & Pick of the Fringe, LADIES IN WAITING: THE JUDGEMENT OF HENRY VIII, comes their next project... Inspired by Louisa May Alcott's classic: Part biography, part adaptation, but definitely NOT your Marmee's Little Women!

After a critically acclaimed run in London, “Why did the Chicken Cross the Road?” comes to LA as part of the Hollywood Fringe Festival. Turning the familiar joke into a comedic quest, the play follows the words in that joke as they try to figure out their meaning and reach the 'real world'.

Overcoming dating PTSD.

In 1936, producers searched to find an unknown to play Scarlett O'Hara in Gone with the Wind. This fully scripted creation unfolds in 10 moments incorporating stylized movement, dance, song, original text, several suitcases, and the great Scarlett dress. All accompanied by live percussion.

What happens when you find yourself trapped- alone, in a room with the last person you ever wanted to see again?

Like a lot of people today, jaded campaign manager Tess Baker (think Jessica Jones meets Josh Lyman) is sick of politics. She’s just about ready to throw in the towel when somebody wakes up a candidate she can work with - Abraham Lincoln.

Two roommates in a mental institution complain to their doctor about an imaginary man.

*PICK OF THE FRINGE* *BEST OF THE BROADWATER* In 1980, Lee Atwater was a scrappy Southern strategist. By 1990, he'd changed American politics forever. A new play about the legacy of the Bad Boy of the GOP, from the creators of HFF18 hits "Keeping Up With the Prozorovs" and "A Beast/A Burden".